Expanding Comfort Zones

Over the past couple of weeks I've had things to do in downtown Boston and the Financial District, so I have been going there more than usual. As I cycle through this dense urban area, my company includes mainly bumper-to-bumper car traffic and bike messengers weaving through it. It was a hot afternoon and I was waiting in the left lane at a red light - a black SUV behind me and a gray pick-up truck on my right - when it suddenly occurred to me: I was quite comfortable. Any moment now, the light would turn green and I would make a left turn in a way that would not conflict with oncoming vehicles. The awareness of this was not one of nervous anticipation, but one of calm preparedness. Perhaps I am no longer quite the "beginner" I still tend to think of myself as being.

I say all of this not to brag (and I am sure many would mock the idea of cycling in downtown Boston as any sort of accomplishment), but to point out that the "baby steps" principle really does work if you are patient and allow yourself to expand your comfort zone at your own pace. Last summer, I wrote this post about overcoming my anxieties and cycling outside my immediate neighborhood. Now those anxieties seem in the distant past, as I cycle all over greater Boston and beyond.

Of course the city's ever-expanding bicycle infrastructure helps as well. Not so much because the bike lanes are spectacular (note the amount of debris on the left and how close the car gets on the right), but because the sheer act of painting all sorts of bicycle signifiers seems to make drivers more aware of cyclists' existence in general. Overall, conditions for cyclists are improving here.

If I wanted to cross the river to Boston last year, I would cycle along the Charles River Trail at a snail's pace. Now I just go right on the roads and cross the main city bridges. It takes 15-20 minutes to get where I need to be, and I no longer feel anxious to cycle in this manner. I make no secret of the fact that I am a neurotic wimp with a poor sense of balance. So, at the risk of perpetuating a cliché: "If I can do it, anybody can." Choose a bicycle you love, take it one neighborhood at a time, and expand your comfort zone.

Just be sure to make way for ducklings...

And don't tease the swans!

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If You Like It, Get Two... or Three

Last week I was excited to learn about the new bicycle blog started by the fascinating and knowledgeable Justine Valinotti: Mid-Life Cycling.

[image via Justine Valinotti]

Justine is a writer and a college instructor who lives in Queens and blithely cycles all over New York for transportation and recreation. This is a departure from her cycling past: the past of a lycra-wearing, hard-training, fast-spinning, Alps-conquering roadie... named Nick. As the meaning of this sinks in, it is self-evident why Justine's point of view is so valuable. She has experienced the cycling world from two diametrically opposed perspectives: that of a competitive male roadie, and that of a woman who cycles to work in a skirt and heels - and she has much to share about both.

[image via Justine Valinotti]

And then there are Justine's spectacular bicycles!... She has two custom-built, lugged steel Mercians: a roadbike and a single-speed fixed gear, both in an intriguing colour that Mercian calls "flip-flop purple green." It looks lilac under some lighting conditions, but changes to green under others.

[image via Justine Valinotti]

Here is a close-up where you can sort of see the colour change on the rear stays. Justine likes both the Mercians and the colour so much, that she has recently ordered a third one: a mixte model called the Miss Mercian. For those interested in custom lugged mixtes, Mercian is a great option in addition to Rivendell and Velo Orange: The frames come in custom sizes and are fairly priced - including custom colour.

Because I respect her opinion on bicycle-related matters, Justine's preference for Mercian Cycles has made me curious. Mercian has been handbuilding custom lugged steel frames since 1946 in Derby, England. Their models include track, road, and touring diamond frames, as well as a touring mixte. Some vintage Mercian models had elaborate lugwork and are now highly collectible. Over the decades, Mercian's reputation for quality has not changed, and whether in bike shops or on cycling forums, you will be hard pressed to find anything but positive feedback about them - which is particularly impressive considering their reasonable pricing.

[image via Mark Gell on flickr]

This sage green trackbike is the sort of Mercian I would not mind falling into my lap...

[image via Justine Valinotti]

But for now I will live vicariously through Justine and look forward to seeing her Miss Mercian all built up: no doubt there are some interesting adventures in its future. Justine has toured extensively on her trusty bicycles, including such dreamy routes as the Loire Valley of France, the Mediterranean coast, the Rhine, the Alps, and the Pyrenees. Her descriptions of cycling routes are filled with interesting information and nostalgia, making even a ride through New Jersey sound intriguing. And you know she is a practical woman, as she wisely heeds the old adage when it comes to bicycles: If you like something, get two... or three!

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Buying a Vintage Mixte: What to Look For

I know that several of my readers are hunting for vintage mixtes at the moment - intending to use them as sportier alternatives to their main transport bikes. Early summer is a good time to buy a vintage mixte, as many are on the market. But before getting swept up in the romance of those twin lateral stays and buying the first attractive mixte you see, it could be helpful to know what to look for - lest you end up with a bicycle that is un-ridable at your skill level, or with a bicycle where you will have to replace so many parts that the purchase will not be worth it.

Let's start with geometry, and I will try not to make this too technical. It is tempting to look at a mixte and think of it as a cute, comfy "girly bike." But most mixtes from the 1970s and 1980s that you will find on the vintage market were designed as roadbikes. This means that they are not that comfy, and not that easy to ride. And this has nothing to do with whether the bike has drop bars vs swept-back handlebars, but rather with the bicycle's inherent geometry. Without measuring distances and angles, here are some ways to test whether a mixte was designed as a roadbike:

1. Steep Angles? Set the bicycle's saddle height to a level where your leg is extended fully or nearly fully on the downstroke. Are you at all able to touch the ground with one tip of a toe at this saddle height? If yes, or almost, then the bicycle was likely designed with comfortable angles. If not even close, then it was designed with steeper angles. While you can change the angle of the seat tube by moving the saddle backwards, a steep seat tube angle usually means that the bicycle is aggressive in other ways as well, which is what makes it an easy indicator of comfort. Steep angles tend to make a bicycle less comfortable - so take this into consideration.

2. Toe Overlap? Get on the bicycle and start slowly riding it. Now, turn the handlebars dramatically, either to the left or to the right. Does your toe hit the front wheel at all when you do this? If yes, this is called "toe overlap". Most small-sized road and track bikes have it. For road and track cyclists it is not a problem, as they typically cycle so fast that they do not turn the handlebars. However, a city bike will ideally not have toe overlap - as having your toe hit the front wheel can cause a crash. If you are an inexperienced cyclist and the mixte you are trying has toe overlap, think about whether you are prepared to deal with this before you buy the bike. This aspect of the bike's geometry cannot be altered.

3. Responsiveness/Squirrelliness? Start riding the bicycle again and pick up some speed; then make some gentle turns. Cycle around the block, where you have to turn the corner several times. Do you feel stable and in control when cornering, or do you feel as if the bicycle turns too sharply and faster than you expected? If the bicycle feels overly-responsive ("squirrelly") on turns, it was likely designed as a roadbike. For an experienced roadie, this is a good thing. For someone transitioning from a stable city bike, this can be scary and not fun at all. This aspect of the bike's geometry cannot really be changed either.

Once you find a mixte that seems comfortable, take a look at the bike's components and make some mental calculations about value. The main things to consider are the wheels and handlebars.

Older and lower-end mixte models will typically have wheels with steel rims, unless the previous owner replaced them. You can identify steel rims by their little pockmark-like indentations (click image above to enlarge). These are not good for braking, especially in the rain. On a vintage 3-speed steel rims are not so bad, as you are not cycling very fast anyway. But on a sporty mixte, poor braking power is not a good feature to have. I suggest choosing a mixte with alloy rims, or if there is something special about a steel-rimmed mixte that makes you want that specific bike, factor in the cost of replacing the wheels.

If the mixte you are considering is fitted with drop bars, and you are planning to replace them with swept-back bars, be aware that you will most likely also have to change the stem for reasons of compatibility. Together, a new stem and handlebars can be a costly upgrade. A mixte that already comes with swept-back bars could be a better deal.

There are, of course, also other important things to consider - like the state of the brakes, derailleur system, headset, hubs, etc. - not to mention whether the frame itself is structurally sound. For this, you will either have to bring a friend who is knowledgeable about bicycle repair, or trust the seller. You will also have to spend extra money on adding fenders, a rack and new tires for the bike. But these issues are common to all vintage bike purchases, so I will not go into them here.

What I wanted really was to give a sense of what to expect from a vintage mixte in terms of ride quality, and how to tell whether the basic geometry and set-up of a particular mixte is within your comfort zone. Hope this helps, and happy mixte hunting!

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Studio Bike

As mentioned previously, my beautiful Mercier mixte (now named Suzanne) was acquired and spruced up for the important role of Studio Bike. She lives full-time in our photography studio outside of Boston, and is there for me when I need her for local errands. These involve mostly coffee runs and scoping out photo-shoot locations, neither of which are too far from the studio. And thank goodness for that, because my initial impression of the area as "No Bike Town" has only been confirmed over the past two months.

I know it looks like a day at the beach, but honest - we've been working all through the weekend! Plus, this bit of sunshine was but a brief interlude between hurricane-like rains.

See? Hard at work. Mlle. Suzanne fits nicely in the narrow space between my desk area (a.k.a. negative-scanning station) and the wall. To the right is the Co-Habitant's desk (a.k.a. paper-cutting station), behind us is the darkroom, and in front of us is our studio-mate's work area - including a formal portrait studio that he has been operating for decades.

A portion of the dark room.

Drying area for negatives and prints. Suzanne is overjoyed to have access to this cool space and to work as an artist's assistant. And I suspect being close to the beach does not hurt either.

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Enchanted Gardens

Cycling past the Boston Public Garden last night, it looked so magical that we had to stop and take some night pictures. When people see pictures like this, they often assume that the wild colours are some sort of special effect - infrared photography or Photoshop. But in fact this is an entirely natural outcome of what's known as "long exposure photography." No flash, no special effects - just you and your camera.

To take a night picture, the camera is placed on a stationary surface and the photographer sets a long exposure time (the duration for which the camera's shutter remains open). To give you a point of comparison, daytime pictures are typically taken with an exposure time of less than 1/100th of a second. Night pictures are taken with with an exposure time of 5 full seconds or longer.

In order for long exposure pictures to work, both camera and subject must remain completely still - or else every movement is recorded as a motion blur. Facial expressions are the hardest to keep still and features tends to come out blurry. Bicycles on the other hand, are quite capable of standing motionless and are very patient too - which makes them perfect models for night photography.

Looking at these pictures has made me realise just how comfortable I've become cycling at night. Especially now that it's so hot during the day, that is certainly coming in handy. On Friday and Saturday nights, drivers tend to be more distracted and erratic - so being aware of that (and having one's bike lit up like a Xmas tree) will help you stay safe.

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Individual Perspectives

It always interests me to know how a person arrives at their preference for a specific bicycle, especially people of different skill levels. Unlike me, the Co-Habitant is naturally athletic, handles a roadbike like it's nobody's business, and loves speed. And yet, he chose a sedate, stately roadster as his daily commuter - complete with such distinctly non-sporty features as full chaincase and dressguard.

To be honest, when we first bought the Pashleys I assumed that he was getting the Roadster mainly for my benefit - so that we'd have matching bikes. When we later got roadbikes, I expected him to gradually transition to riding his roadbike to work, and to only ride the Pashley when out with me. But nothing of the sort happened. He loves his Roadster and has been commuting on it faithfully for over a year now, snow days included. When I ask him why he prefers such an enormous and heavy bicycle to his faster and more agile roadbike, his answer is that the Pashley is "the most comfortable bike [he has] ever ridden." A straightforward enough reply that explains how two cyclists with different skill levels can ultimately choose similar bicycles for their practical, everyday needs.

The terms "commuter bike" and "practical bike" can mean completely different things to different cyclists. There is a school of thought out there positing that relaxed and upright bicycles are mainly for those who are inexperienced, afraid of car traffic, or lack physical stamina - and that as a rider grows more confident, they will naturally come to prefer a faster and sportier bike for commuting. But clearly that is not the case. A runner can still prefer walking as a means of getting around in their everyday life, and a bicycle racer can prefer commuting on a beach cruiser in flip-flops. It's really all about individual perspectives.

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Eustacia Meets Frida

Today Eustacia Vye (my Pashley Pricess) met up with her new friend Frida, the fetching Batavus Fryslan that belongs to Margonaute of ZOMGBicycles.

Margo and I tagged along and sat at an outdoor cafe while the bikes frolicked nearby.

The Batavus Fryslan is a very pretty and comfortable bike. It is a higher-end model than the Old Dutch I tested last summer. It was getting dark and impossible to take decent shots, but Margo has more pictures of this bicycle on her weblog. Especially nice are the shots from last weekend's Tweed Ride - Frida looked so elegant with her owner's stunning outfit!

Despite their differences in wheel size (28" on the Batavus Fryslan vs. 26" on the Pashley Princess), we were surprised to note how similar Frida and Eustacia looked, including their overall proportions. My handlebars are set quite a bit lower, but that was an intentional modification on my part. Margo prefers hers higher. The bicycles also have matching cream tires, matching Brooks B66S saddles, and matching Wald rear folding baskets. So cute to see them together like this!

One really cool thing about Frida is the DIY handlebar bag. It is a small leather purse, with the strap wrapped around the flat part of the bars.

Here you can see the handlebar attachment. A simple and elegant idea that shows you don't necessarily need to spend tons of money on bike-specific accessories.

At the end of the evening, Margo test-rode my bike while I carefully tried hers on for size (Frida is new and I was too worried about her well-being to ride her on the street).

Margo on my Pashley. She is slightly taller than I am, so ideally the saddle would be raised.

My own impression is that the fit of the two bikes is similar, but the Batavus has somewhat more relaxed angles. Weight-wise, the Batavus is a bit heavier. They are both nice bikes, with the main differences being the fork crowns, the wheel size, the lighting systems, and the shape of the handlebars. If you are choosing between a Pashley and a Batavus, I'd really suggest test-riding each.

Here is to lovely bicycles and to lovely bicycle friendships!

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