Yeah Baby! Transportational Elegance Reigns at Interbike 2011

As I was setting off for Las Vegas, those who'd been to Interbike before warned me that 90% of what I'd see there would be completely irrelevant: that the road, mountain bike and BMX industries would rule the floor, with city bikes and classic bicycles making up a tiny fraction of the offerings. So what surprised me the most about my first Interbike, was that this was far from the case. The upright, step-through city bike was downright ubiquitous: From exclusive European makers such as Cicli Montante (above) to mainstream giants such as Trek (see my post about their "Dutch bike" here), it seemed that anyone who is anyone had one on offer.

I start with the Italian Cicli Montante, because it's companies like theirs that really set the pace. Montante city bicycles are unapologetically opulent, bombastically over the top - and I think it's good for the industry to have a manufacturer who is willing to exhibit such showmanship and attention to detail.

Old school touches such as newspaper racks, satchel-style panniers and leather-shod rod brake levers are victoriously exhibited with little concern for weight reduction.

Every component is pantographed with the company name; everything is covered in leather and dripping with colour. It's too much for me, but I am glad companies like Montante exist and I hope they find a North American distributor.

But if you are looking for a more accessible burst of colour, you will be pleased to hear that Bobbin Bicycles are coming to the North American market. Distributed by Fourth Floor in Canada, they should soon be available at bike shops.

Bobbin are offering a full line of classic city bicycles and accessories in a multitude of colours and for what look like fantastic prices (sub-$1,000 on all the models, as far as I could tell).

Here is their Birdie model in sky blue and yellow.

And here is a more sombre model in black, with full chaincase and dressguards.

Bobbin also introduced a number of pannier prototypes, including this leather satchel. I think the satchel is stunning, but I am wary of the snap-closure attachment system.

Here is a handsome canvas and leather one as well. I've spoken with the Bobbin representatives and may get to test ride one of their bicycles - fingers crossed.

It is also official now that standard production Bella Ciao bicycles (i.e. not just the Superba) will be available for sale in North America - distributed by BoxCycles/ the Nordic Bike Project.

Here is the men's model suspended from the ceiling. I can also tentatively announce that there may be a new line of Superba bicycles (ladies' and men's!) in 2012 and I hope to have details on that shortly.

Pilen had their classic Lyx models on display,

as well as a beautiful raw finish prototype with a SRAM automatic 2-speed hub. I have mentioned before that I think Pilen frames are unusually well finished for their price category, and the unpainted model really shows this off. I am picturing a swan-frame version with cream tires and feeling a little light-headed.

Pashley did not disappoint with their multiple booth display that was like a cozy clubhouse. I found myself falling in love with them all over again, returning repeatedly to take more photos and speak with the reps.

What appeals to me about Pashley is not only the beauty of their products, but their genuine commitment to making their bicycles on a small scale, in England, by the same people who've worked for them for years - despite external pressure to produce more volume. Though I ended up selling my Princess a year ago (see my review here), I wish that Pashley would do some research on how to tweak its geometry or tubing so as to make it a bit faster and more responsive - perhaps a loop frame version of the Guv'nor (come on, wouldn't a Reynolds 531 loop frame be awesome)? I truly want to support them as a business and to ride one of their bikes, as the Co-Habitant still happily does (see his review here).

In addition to having their range of loop-frame models on display, Pashley introduced the Parabike. My understanding is that this model is similar (or identical to?) the Tube Rider, but with a vintage military colour scheme of dusty slate blues and sage greens. I had not known the history of this frame style before, and it was explained to me that the bicycles used to be disassembleable, and British paratroopers would jump out of airplanes with the bikes strapped to them - then assemble them on the ground and ride away. Clearly Pashley needs to make at least a promotional prototype of a version that actually disassembles and film someone jumping out of a parachute and using it in this manner!

On board with the elegant transportation trend, Velo Orange had more than half of their display models set up with upright handlebars, which I thought was interesting. Does this reflect the preference of their customers?

The new green Polyvalent looked stunning and very inviting with its chaincase, Porteur handlebars and sizable front rack.

Happy to see the Sturmey-Archer 3-speed trigger shifter - not only on this bicycle, but on many others at Interbike.

Finally, the new colour they chose is a very pleasant shade of green, with a touch of soft gray mixed into it. Lovely all around. I am hoping VO will re-release their mixte in 2012 with a similar set-up and a softer colour scheme than their previous model.

One thing VO did I thought was interesting, was put small handlebar bags on upright bikes. I sometimes get emails asking whether I think this would look good and my instinct is usually "no," but this set-up is quite nice. I think the harmonious paring is largely due to the shape of the handlebars here, so that's one factor to consider. Another view of this set-up here.

The trend for colour was prominent among all city bicycles on display, and this pair of Gazelles illustrates nicely the two categories the colours seemed to fall into: vibrant "candy" shade, such as yellows and pinks, and subdued "vintage" shades, such as slate blues, creams, and sage greens.

Though I've focused on what I found to be the more interesting and trend-setting offerings, I cannot stress enough how popular the city bike was. There were so many, and from such a large number of manufacturers, that featuring them all would have been akin to posting a laundry list.

They came in all shapes and sizes, with the common design themes being a step-through frame and upright handlebars. Here is one from Benotto - an entire range actually.

The new city bike from Terry - the women-specific roadbike manufacturer.

And here is what looks like an Electra-imitation from Shanghai Forever.

A Pedersen-esque contraption from Virtue Bikes.

A couple of readers asked me to stop by the Linus booth and determine to what extent their mixte is lugged, so here are my findings. The front end is completely lugged (including the split lug for the mixte stays!), but is paired with a unicrown fork. And the seatcluster is welded.

Somewhat to my surprise, e-bikes were a huge trend at Interbike - I mean huge. I did not photograph many only because they do not interest me, but there must have been over a dozen manufacturers selling some version of an electric assist bicycle. This one is a Zoomi Monterey.

And here is an Achiever PedElec tricycle with enormous wicker baskets that make it resemble a laundy-getter. I spoke with a couple of the e-bike representatives, and each mentioned their belief that e-bikes need to look more classic and not so "techy" in order for the demographic they are trying to reach (read: women) to find them appealing. I agree.

Though this post is ridiculously long as it is, I can hardly neglect to mention folders. As with e-bikes, there was a huge folder epidemic - including electric folders. However, I am sorry to say that most of them were not easy on the eyes or simple to operate at all, and I will leave it to other blogs to post photos of them. Of course, the ever-practical and attractive Brompton was there, the rep tirelessly folding and unfolding it for awed spectators.

And Moulton wowed everyone with the limited edition stainless steel F-frame bicycle. As I understand it, this was actually made as a gift for a long-time Moulton employee upon his retirement, which is pretty amazing.

There were also miniature non-folding bicycles, such as the Bobbin Shopper - reminiscent of the Raleigh Twenty, outfitted with a rack and basket, and reasonably priced. The more folders and miniature bikes I try, the more convinced I am that they are a great solution for those who make relatively short trips and share bikes in the family, as well as for still-growing children and teenagers. Problem is, that not every manufacturer makes these bicycles equipped (or even compatible with) racks, which essentially kills their versatility. I am glad to see more models that do take this factor into consideration.

One aspect of the transportational bicycle trend that I noted was lacking at Interbike, were "box style" cargo cycles. There was the Christiania and I think the Gazelle Cabby, but I am pretty sure that was it. The Yuba, the Surly Big Dummy, and other long-tails were on display, but not the large, Dutch and Scandinavian bakfietsen and long-johns. It may be simply a matter of the design being difficult to replicate and "Americanise" by manufacturers, or perhaps it's just too much of a specialty item for Interbike at this stage.

So where does all of this leave us? The variety of designs and price points in the "city bicycle" genre, as well as the sheer number of models, are an encouraging sign, to say the least.  But do you think this is a sign that we - and by "we" I mean those who have been stressing the need for user-friendly city bicycles that can be ridden while wearing regular clothing - have arrived? Is the industry showing its commitment to catering to transportation cycling, or merely testing the waters? Your thoughts appreciated.

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Reunited

After what seems like ages, beloved Patrizia has finally returned to me. This is my personal Bella Ciao bicycle that has undergone many customisations and served as the "Superba" prototype guineapig. Having spent months in various states of disassembly, she then endured a long stay at the rack-maker's workshop - all without a word of complaint. And now she is back, her slender curves enticing me with promises of a romantic Indian summer.

I am also reunited with the wonderful Ideale saddle I'd acquired in a trade some time ago. I had installed it on a vintage mixte I owned at the time, but after that bicycle was sold the saddle lived in my closet for over a year, waiting for the right moment to re-emerge. It looks and feels quite at home here.

Ideale was a French saddle manufacturer and the Model 6 is a wide, short-nosed women's saddle that was made some time in the '70s. Although some have drawn parallels between the vintage Ideale and contemporary Berthoud saddles, in my opinion they are nothing alike and Berthoud is not an Ideale remake.

Finding a vintage Ideale in good condition is not all that common. After years of use, these saddles tend to suffer from the type of distortion where a painful center ridge forms that is resistant even to the "blocking" (wet reshaping) remedy. It is an amazing stroke of luck that mine does not suffer from this defect. Truthfully, I am somewhat torn between wanting to use it because it is comfortable and wanting to preserve it because it is rare.

Finally, I am reunited with the wooden grips I began to experiment with a few months back. I've decided to keep them on this bike, and they have been surprisingly comfortable. I thought that I might get blisters on my hands, but it hasn't happened. I am also happy to report that they haven't cracked or distorted despite plenty of humidity and temperature changes over the summer. I am not going to finish them with any kind of sealant, because I'd like to see what happens to them in the winter. Vintage collectors who are experienced with wooden grips have told me that if the grips are made "in the right way" they should not need any sealant and will be fine as they are. We'll see. While I'd be reluctant to recommend these for mainstream use, personally I love them.

Riding this particular bicycle always makes me realise how weird my tastes are. Responses to it have included "Ew, that colour!", "How can you ride with those things on the handlebars?" and "Is that a woman's army bike??" - all of which I've found oddly gratifying. Looking with fondness at her wooden grips, pukey powdercoat, trigger shifter and mottled 40 year old saddle makes me want to put my arm around Patrizia: "Looks like it's just you and me, babe."

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All About the Looks

As recounted in previous posts, I am frequently approached by strangers who are drawn to my loop frame bicycles. It is not a matter of how expensive the bicycle is, and it is not a matter of whether the bike is new and shiny or old and crusty. But something about that elegant curve - combined with the dress guards, chaincase, and wide cream tires - seems to make these bicycles visually irresistible. Most of the time it is women who approach me, and most of the time they are not cyclists. Their attraction to my bicycle is purely a matter of looks. Upon learning that I actually ride for transportation, the ladies will typically enumerate all the reasons why they can't possibly ride a bike - all the while staring at mine with a longing that I can tell is normally reserved for jewelry store window shopping.

Having gone through this type of interaction more times than I can count, I cannot help but believe that aesthetic attraction alone can make people want to ride a bike, or at least try. And while that motive has been mocked by some, I personally find it fascinating. Just think about what this means: The natural beauty of the classic transportation bicycle is so powerful, that it can make even those who are not interested in cycling wish to do it.

Although my reasons for cycling were never based on looks per se, looks certainly played a role in pushing me over the edge from an ambivalent "it would be nice, but..." attitude, to the enthusiasm that led to the start of this blog. The Co-Habitant and I had talked about getting bikes for a couple of years, but when it came down to it I just could not imagine myself riding. Then one day, I spotted this bike in the neighbourhood and suddenly I could imagine it perfectly well. The design of the bicycle suggested that cycling could be done in a way that is easy, safe, and not in the least bit sports-oriented. While initially the extent of our cycling ambitions was to ride on the trails together on weekends, my growing fascination with the bicycle led to the research that made us view it as a viable option for transportation. And although this was never, ever our intent, two years later we stopped using our car entirely.

While I am not suggesting that every woman who thinks my bicycle is pretty is likely to follow the same course, I do believe that looks are important. And it is not so much a matter of beauty, as it is a matter of engaging the imagination - of the person being able to picture themselves riding the bike. There are multitudes of people out there who do not cycle, because they do not view it as something that is "for them." Setting eyes on a bicycle that appeals to them could change that in a matter of moments.

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What Does 'Commuting' Mean to You?

Some of us have conventionally structured jobs, where we ride our bikes to the office, stay there for a given period of time, then ride home. Others might move from site to site throughout the day, or work from home, or go to the office and back several times. I've had lots of conversations with friends in both job categories, and it's clear that there are benefits and drawbacks to each: With a conventional schedule, you get a sense of structure, and once you leave the office you are done. On the down side, sitting in the same building for an entire day can feel constricting. With a non-conventional schedule, there is a greater sense of freedom and you can organise your time to suit your needs. On the down side, it can feel as if the work never really ends and that you are chained to your laptop or phone 24/7.

Most of my jobs have fallen somewhere in the second, unstructured category. Even while working in a university setting - probably my most "normal" employment - it was always a back and forth between different locations on and off campus. Now that I have transitioned entirely to freelance work, it is up to me how to organise my time - which is nice in theory, but can work against me if I am not careful.

Finding it nearly impossible to work from home, I like to leave the house for the day and transition between one setting and another - coffee shop, studio, supply store, meeting, park bench. My laptop perpetually in tow, the nomadism is my means of staying both sane and focused.

Cycling back and forth between these locations and home is my version of commuting - though it is disheartening when those with structured jobs say things like "Oh, but then you don't have to commute, do you." I know what they mean to say: There is no pressure for me to arrive somewhere at exactly 9am every day. While this is mostly true, I do have meetings where I am expected to be on time. I also make more trips per day than they do and don't really have a concept of week-ends. But it is not a competition and I think that whatever one considers to be "commuting" is valid for that person. The term is a strange one for non-English speakers anyhow, as they struggle to understand why a special word is needed for traveling to and from work!

For those who do commute in a nomadic fashion, and do so by bicycle, there are some helpful posts about establishing a mobile office (via Girls and Bicycles) and an outdoor office (via Simply Bike). And for those who work 9-5 jobs, there are some great posts by Dottie from Let's Go Ride a Bike on how to take a refreshing joyride on your lunch hour. Cycling can function both to infuse a conventional job with a sense of freedom and to bring structure into a more chaotic work situation. What does commuting mean to you, and how (if at all) has it been affected by cycling?

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Putting Your Foot Down

Enough people have asked me about this now that I thought it worth writing about: How do I put a toe down in traffic while remaining on the saddle, and also manage to get full leg extension on the downstroke? I will try to explain.

First off, let me clarify that I get "more or less" full leg extension, and obviously my leg would be even straighter if I had the saddle higher. So there is a bit of give and take to it. But the idea that your leg needs to be arrow-straight on the downstroke with the toe on the pedal and the heel raised, is not one that everyone subscribes to - especially not cyclists in cities where riding a bike for transportation is common. In Vienna, I would say that about half the cyclists I saw had their saddles adjusted so that they could touch the ground with a toe. Based on the pictures here, this seems to be the case in Copenhagen as well. When riding in cities with frequent intersections and stop signs, it can be tedious to get on and off the bike every 3 minutes. Being able to put a toe down makes things easier.

Another point, is that some bicycles' geometries work better for this than others: Typically, Dutch-style city bicycles have very relaxed seat tube angles, which increases the distance between the saddle and the pedals while keeping the saddle height constant. A lower bottom bracket helps as well, though not as much as a slack seat tube. You can watch this video of Dottie starting and stopping on her bike to get a better idea of how this works on a Dutch bike.

Finally, this may not be sufficiently noticeable in pictures, but I lean my bike to the side in order to reach the ground with a toe. I also keep my other foot on the pedal for balance. I cannot reach the ground with both toes, and I cannot even really reach with one toe unless I lean. This is something that becomes instinctive if you do it often enough. Alternatively, you could set the saddle lower. I've basically raised mine as far as I possibly can, while still managing to reach with one tip-toe while leaning.

Adjusting your saddle so that you can stop with a toe down is mainly about convenience. Some cyclists prefer this method, while others feel that not having their leg 100% straight on the downstroke robs them of power. How do you stop in traffic when cycling for transportation? And is it the method you've always used, or did you develop it after some trial and error?

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