Gritty to Pretty: the Lovely Donation Bike!

I am pleased to report that the refurbished vintage donation touring bike - also known as "the roadbike for women who fear roadbikes" - is ready! As often happens with these things, the project took longer than I anticipated. In the end we did not have time to put the bicycle together ourselves, and I entrusted the job to the saintly Jim at Harris Cyclery - which contributed the labor pro bono and donated the remaining parts my build was missing, thus becoming a sponsor of this project along with Velo Orange. My sincere thanks to them, as well as to all readers who contributed parts and funds to this effort. This is not yet the official give-away announcement, as I first wanted to show off some pictures and describe the bicycle in detail. I hope you like it!

So what exactly is this bicycle... It began as a vintage Shogun 400 touring bike that looked like this when I picked it up, but has been rebuilt from the frame up. When I spotted the original bike, I immediately thought it had potential. The early '80s Japanese cro-moly frame with relaxed geometry promised a comfortable, "Rivendell-esque" ride. And, despite the fairly small size (52cm), it looked like there would be no toe overlap, even with fenders. As many know, it is extremely difficult to find a roadbike in a small size, with relaxed geometry and no toe overlap - be it modern or vintage - which is what makes some of these unassuming vintage Japanese frames special. My idea was to start with such a frame and build it up with comfortable, functional components - ending up with an unintimidating "starter" roadbike that a beginner would be able to learn on without undue nervousness or discomfort.

The biggest priority was the handlebar set-up. When women tell me they cannot ride vintage roadbikes, much of the time this turns out to be because the handlebars are uncomfortable - lacking a sufficient "shoulder" area. Those who are new to drop bars often assume that they are all the same, but in fact there are dozens of models, with subtle variations in shape. I chose the Nitto Randonneur handlebars for this bike, which have long, flat "shoulders" and a slight, ergonomic flare to them that most cyclists find extremely comfortable, particularly on long rides.

I also chose modern Tektro short-reach brake levers, which are easy to squeeze from the top, even for those with weak hands.

Finally, I chose Silver bar-end shifters, which are much, much easier to use than downtube shifters and less awkward than stem shifters.

The leather handlebar tape is by Velo Orange. I had never tried it before and was glad to discover that it has a softer, more matte texture to it that Brooks leather tape (which I personally find a little too slippery).

Velo Orange Model 3 touring saddle. Saddle comfort is one of these things that is different for everyone, but I have to say that (somewhat to my surprise) I found this one more comfortable than the Brooks B17s I once owned. The leather is very different from Brooks leather, and I cannot speak for its longevity or durability. But for me, there was no "breaking in" period, and no pressure on sensitive body parts. I will soon write a review of this saddle with additional details.

Velo Orange hammered fenders, their pattern of indentations resembling a honeycomb. Later I will also post a comparison between the VO and Honjo versions of hammered fenders.

Velo Orange also provided the headset and their Grand Cru double crankset. It was exciting when these cranksets came out, because they are classically shaped yet affordable. Personally, I find the looks of chunky modern cranksets rather depressing, so it's wonderful that these are an option. I have not ridden with them except during my test rides of this bike, but I welcome readers who've owned them to provide feedback. The pedals included are MKS Touring pedals, which I have on most of my bikes and love.

The wheels are 27" touring wheels from the early '80s - a slightly nicer and cleaner version than the ones originally on the bike. The tires are the puncture-resistant Panaracer Pasela Tourguards. The headset, bottom bracket, chain, brakes, and front derailleur have all been replaced with modern components.

The rear cassette and derailleur are pretty much the only components that were left original. They are in good condition, but the downside is that the bicycle is only a 12 speed - as bikes of its era are. In order to upgrade to a cassette with more cogs, we would have needed to get modern wheels, which was beyond the scope of this project.

Here is a close-up of the bicycle's colour: an unusual champagne-lilac that I personally find very attractive.

The frame has been left original - frayed decals, rust spots and all - and I want to make it very clear that at heart this is still a vintage bike that looks its age, despite the updated components.

I received a Rivendell "SaddleSack" as a donation from one of my readers, but I think this bike works better with a Carradice. So I will let the recipient choose - either the SaddleSack, or one of my own Carradice bags, as shown here. I will soon post a review of the SaddleSack (pictured here).

And so that's it, in a nutshell. To my eye, this bicycle looks modestly beautiful, which is what I was aiming for. It is fairly light and is easy to carry. It is not "fast" by modern roadbike standards, so please don't expect to race or join paceline rides on it. Neither is it a bike for a tour of the Alps, since the gearing is somewhat limited by current standards. It is really meant to be a low-key, introductory roadbike for those with no athletic background, for those who want to explore nature while getting a bit of exercise, and for those who don't want to wear lycra and be all "serious" about roadcycling. If you've been unable to ride roadbikes in the past, this bike may be a good alternative to the ones you've tried. It is friendly. It is stable. There is no toe overlap. Lots of room on the handlebars for moving your hands around. Brake levers are easy to reach and easy to squeeze. Frame geometry is relaxed and won't hurt your knees. Having ridden the bike myself for a bit, it handles as comfortably and easily as I hoped. I've even ridden it in a dress and sandals, and it was great - just a really easy-going, "smell the flowers" kind of bike. Bicycles with drop bars are not for everyone - but this is as unintimidating of a way to try one as I can offer. I will announce the contest rules and timeline in the coming days, and I hope this bicycle will find the right owner.

I want to express my thanks again to Velo Orange, Harris Cyclery, and the generous readers who have contributed to this project: Justine, G.E., Neighbourtease, Spindizzy, Cedar, Somervillain, and others!

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Creamy, Dreamy 650B Conversion

With his latest project, our neighbour Somervillain is quickly establishing himself as Vintage Bicycle Refurbisher Extraordinaire. This dreamy creature began life as a 1984 Shogun 1500 - a good, yet unremarkable touring bike. It has now been transformed into something quite exquisite.

The 25" frame was stripped of its original paint and powdercoated a creamy "almond," the lugwork then outlined in copper.

I think that it's pretty difficult to get the perfect shade of cream: If it's too pale, the bicycle looks bland and if it's too saturated the bicycle looks yellow. This shade looks just right to me: classic, soft and a little mysterious.

The Shogun frame had a high bottom bracket and sufficient clearance for wide tires with fenders, making it a great candidate for a 650B conversion. However, the cantilever bosses had to be relocated in order to accommodate the new wheel size. Both this and the powdercoating were done by Sugarcoat/ Geekhouse. Notice also the internal routing for the dynamo lighting.

Internal routing exit for the tail light. I will not even try to describe the routing, but Somervillain shows the step-by-step process here.

Rear cantilever bosses, Mafac brakes, KoolStop brake pads.

The headlight is the Bausch & Mueller Lumoteq IQ (I have this light on two of my bikes and love it), and the DIY bracket is fashioned out of a caliper brake.

The tail light is a vintage Soubitez converted to LED with Bausch & Mueller innards.

Tires are the red Grand Bois Hetres, with Zeppelin fenders from Velo Orange. I have this same set-up on my Rivendell, only with the cream version of the tires. The Grand Bois Hetres are absolutely magical in their cushiness and a 650B conversion is worth it just for them alone.

Shimano dynamo hub (which Somervillain says causes slight vibration at high speeds when the light is on, so he is considering changing it to a Schmidt SON).

Huret rear derailleur. I forgot the details of the cassette, so perhaps Somervillain will remind me or post the specs.

Huret front derailleur.

Beautiful TA crankset.

VO Moderniste bottle cages.

Belleri Randonneur bars, VO Pass Hunter front rack, Ostrich handlebar bag.

And Brooks B17 saddle.

Perhaps Somervillain would like to go into further detail in the comments, but one interesting thing about this build is that many of the components - or at least the manner in which they are installed - are modified in a way that makes them better integrated with the frame. The result is an exceptionally clean and harmonious look.

Having tested this bicycle out on a metric century ride last weekend, the owner is well pleased with its comfort and performance. Sadly, I am not tall enough for this 25" frame, so I will have to take his word for it. Given that Somervillain has other beautiful bicycles, I am curious how this one compares and what role he ultimately sees it occupying. Will it be his long-distance tourer? Time will tell. Either way, this project was a major accomplishment in its marriage of vintage and custom elements. The frame, the modifications, colour, the components - simply dreamy.

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Where Have You Been...

Since the end of the summer, I've received a number of concerned inquiries about "Velouria," my vintage Raleigh DL-1 Tourist (and for those who have only begun reading this blog recently, I am named after this bicycle, not the other way around). Though admittedly I have not featured her for some time, I assure you that Velouria is alive and well. She resides in our photo studio just South of Boston, performing the under-documented but crucial role of "studio bike." And here are the pictures to prove it.

For those unfamiliar with Velouria's history, she is somewhat of a "frankenbike," albeit a darling one. I acquired the 1973 Raleigh DL-1 in the summer of 2009 and over time proceeded to subject her to a number of modifications. These have included: an aftermarket chaincase and dress guards, cream tires, a Brooks B18 saddle, a custom rear rack, and an updated rear wheel with a coaster brake hub to supplement the pitiful braking power of the rod brakes.

Why do I feel the need to mess with a vintage bicycle in this manner? To tell the truth, part of it is simply the compulsion to experiment, to customise, to turn objects that belong to me into "creatures." I am not saying it's a good habit necessarily; but it's how I like to do things.

There was also a practical reason for all the modifications: I loved the ride quality of the DL-1 so much, that I was highly motivated to make it as functional as possible.

But ultimately, my love for this bicycle is also what made me move it to the photo studio after I (literally) found the vintage Gazelle in the end of last summer. At the risk of sounding cruel to the Gazelle, I am willing to run it into the ground. It is a great bike, it handles wonderfully, it is admirably designed, but my feeling toward is appreciation - not "love." The vintage Raleigh, on the other hand, feels almost like a pet. I just can't bring myself to ride its already battered and rusty frame on the salted roads in the winter, or even to leave it for hours in the rain in the summer. "Let the Gazelle take the abuse and spare the Raleigh," says my heart. And so Velouria became "studio bike" - ridden occasionally, but not too much.

And if you've noticed that these pictures are a little different from my typical bike photos, that is because they were taken inside the studio itself. We will soon be doing a couple of photo shoots for a local framebuilder, so we're practicing. When it comes to product photography in a studio setting, every object requires a different approach to lighting - and I would say that bicycles are fairly complicated as far as these things go. They are enormous, they have both matte and reflective parts, and they cast a variety of unusual shadows. Oh, and don't get me started on the kickstand thing; we are still working that one out!

Of course, the trouble with this type of product photography is that it brings every single detail of the object into sharp focus - not exactly the most flattering approach when it comes to vintage bikes!

But after all, "Velouria" is not just any vintage bike.  She is mine. The scraped paint, the rust, the solidified crust, the dented fenders and even the bent rodbrake levers are, oddly, all part of what makes me cherish her. She may no longer be the most frequently featured bicycle here, but she epitomises the theme of this blog perhaps more than any other bike I own.

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A Lovely Touring Bike... For You?

When I mentioned my "roadbike for women who fear roadbikes" project earlier, I didn't make this clear as I was still figuring out the details - but it is now very much official: I will be giving this bicycle away for free to an interested recipient in the spring.

To recap: Back in November, I picked up a vintage Shogun bike in which I saw a lot of potential, due to its comfortable frame geometry. The Co-Habitant and I are overhauling the bicycle from the frame up and fitting it with nice, comfy components. The goal is to turn it into a touring bike that will hopefully address some issues that fledgling female cyclists tend to have with roadbikes. I was not able to handle a roadbike until (after much trial and error) I discovered that a comfortable frame plus the right components were key. That experience changed my perspective and made me very happy, and I would like to help make that happen for someone else.

I am able to fit this bicycle with extremely nice components and give it away for free, thanks to the generosity of several donors. The main donors for this project are Velo Orange and Cambridge Bicycle, whose contributions will be described below. I have also been offered a monetary donation by a reader "Cedar" to cover the costs of the frame and wheelset I had purchased. Additional contributions of components were made by: Justine Valinotti of Midlife Cycling, reader "Spindizzy," reader "G.E.," reader "neighbourtease," and "somervillain" of Boston Retro Wheelmen. The Co-habitant and I are contributing our time and labor, as well as a few of our own things.

The frame and fork are cro-moly, and the seat tube angle is a comfortable 72.5 degrees. The frame has "touring geometry" and eyelets for fenders and racks. The bicycle as shown in the pictures here has been stripped of most of its original components, fitted with an updated touring wheelset, a Nitto stem, Nitto Randonneur handlebars, and a Velo Orange saddle. The drivetrain shown is original, but it will soon be replaced.

The size of the frame is 52cm, as measured from the center of the bottom bracket to the center of the intersection with the top tube (or 54cm if measured to the top of the seat tube). I am 5'7" and the size is just right for me - with plenty of top tube clearance, but not too much. If you are 5'5" - 5'8" it should fit you as well. Outside of that range, I would need to know your inseam measurement or pubic bone height to give you a better idea. Since there is only one bike, the size will naturally exclude many of you from participating in the give-away, and I am sorry about that.

The frame colour of the bicycle is an ethereal mixture of mauve and champagne. It's a neutral colour, but vibrant, with some shimmer to it; the pictures here portray it accurately. The headtube panel is a deep, dark chocolate-plum. The Shogun insignia on the downtube is sage green.

The Nitto Technomic stem and Randonneur handlebars are from my own parts stash (the handlebars are new, the stem gently used). I am not sure yet whether the final bicycle will have the Randonneur bars or the Noodles - I am planning to do a comparison test.

The saddle is a "Model 3" touring saddle from Velo Orange, which I will test out and review once the roads are clear of snow. The person who gets the bike in the end will have a choice between this saddle, and one of my own Brooks B17S saddles (which I no longer use).

In addition to the saddle, Velo Orange was kind enough to donate: a headset, a crankset, fenders, and leather handlebar tape. The items were ones I requested specifically for this bike.

I don't want to remove the hammered fenders from the packaging until it's time to install them, but they look beautiful. The hammered pattern has a "honey comb" look to it that I visually prefer over the Honjo version - though this is, of course, a matter of taste.

The "Grand Cru" crankset is classic and beautifully made, modeled on vintage TA. Before VO released this model, it was very difficult to find a crankset in a classic style.

I haven't put leather tape on any of my own drop bars, as I consider it too expensive - but if will be fabulous to try it out before giving the bike away!

I have not yet picked up the components donated by Cambridge Bicycle, but they will include: brakes, short-reach brake levers, derailleur, cables, housing, and MKS touring pedals. I will feature these in a separate post.

For others interested in getting involved in this project, I am still in need of the following components for the basic build: bar-end shifters (Shimano or Silver), a bottom bracket (JIS Square Taper, 110mm spindle length, hollow axle), tires (32mm Panaracer Pasela Tourguards), and a few other random items. Additionally, I am looking for a local bike shop that would be willing to ship the bicycle in the event that the recipient is not local, so that their winning does not entail having to pay for shipping. Everything donated will be used for this project only. To contribute, please get in touch at filigreevelo-at-yahoo-dot-com and thanks in advance for the help!

I am not sure yet what form the give-away of this bicycle will take. I hate to call it a "contest," but there will obviously have to be some sort of selection process, as there is only one bicycle. Either way, the formal rules will likely not be announced until early Spring. In the meantime, I would love to hear what you think about the whole idea. A refurbished vintage bike is not a typical give-away item and I am not even certain whether anybody will want it! Do you like the colour? The look so far? And I am especially interested in hearing from women who would like to try a road bike with drop bars, but have not had much luck thus far. What has been your experience? What do you find intimidating or difficult about the process? Similarly, if you already ride a roadbike, but find it uncomfortable or sub-par, I am interested in why.

I am enjoying putting together this bicycle immensely, and I thank once again those whose donations have made this project possible!

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