Where Have You Been...

Since the end of the summer, I've received a number of concerned inquiries about "Velouria," my vintage Raleigh DL-1 Tourist (and for those who have only begun reading this blog recently, I am named after this bicycle, not the other way around). Though admittedly I have not featured her for some time, I assure you that Velouria is alive and well. She resides in our photo studio just South of Boston, performing the under-documented but crucial role of "studio bike." And here are the pictures to prove it.

For those unfamiliar with Velouria's history, she is somewhat of a "frankenbike," albeit a darling one. I acquired the 1973 Raleigh DL-1 in the summer of 2009 and over time proceeded to subject her to a number of modifications. These have included: an aftermarket chaincase and dress guards, cream tires, a Brooks B18 saddle, a custom rear rack, and an updated rear wheel with a coaster brake hub to supplement the pitiful braking power of the rod brakes.

Why do I feel the need to mess with a vintage bicycle in this manner? To tell the truth, part of it is simply the compulsion to experiment, to customise, to turn objects that belong to me into "creatures." I am not saying it's a good habit necessarily; but it's how I like to do things.

There was also a practical reason for all the modifications: I loved the ride quality of the DL-1 so much, that I was highly motivated to make it as functional as possible.

But ultimately, my love for this bicycle is also what made me move it to the photo studio after I (literally) found the vintage Gazelle in the end of last summer. At the risk of sounding cruel to the Gazelle, I am willing to run it into the ground. It is a great bike, it handles wonderfully, it is admirably designed, but my feeling toward is appreciation - not "love." The vintage Raleigh, on the other hand, feels almost like a pet. I just can't bring myself to ride its already battered and rusty frame on the salted roads in the winter, or even to leave it for hours in the rain in the summer. "Let the Gazelle take the abuse and spare the Raleigh," says my heart. And so Velouria became "studio bike" - ridden occasionally, but not too much.

And if you've noticed that these pictures are a little different from my typical bike photos, that is because they were taken inside the studio itself. We will soon be doing a couple of photo shoots for a local framebuilder, so we're practicing. When it comes to product photography in a studio setting, every object requires a different approach to lighting - and I would say that bicycles are fairly complicated as far as these things go. They are enormous, they have both matte and reflective parts, and they cast a variety of unusual shadows. Oh, and don't get me started on the kickstand thing; we are still working that one out!

Of course, the trouble with this type of product photography is that it brings every single detail of the object into sharp focus - not exactly the most flattering approach when it comes to vintage bikes!

But after all, "Velouria" is not just any vintage bike.  She is mine. The scraped paint, the rust, the solidified crust, the dented fenders and even the bent rodbrake levers are, oddly, all part of what makes me cherish her. She may no longer be the most frequently featured bicycle here, but she epitomises the theme of this blog perhaps more than any other bike I own.

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Two Boston Beauties: Rare Vintage Raleighs

Today I visited the bicycle collector Neal Lerner and photographed some of his beautiful bikes. I am posting pictures of these two in particular - not only because they are rare and stunning, but because the owner is offering them for sale [note: both bicycles are now sold]. Here is more about the bicycles, for your viewing pleasure and for longevity:

The loop-frame bicycle is a 1938 Raleigh Lady's Tourist. This model was the predecessor to the DL-1.  The frame is 22" with 28" wheels. It is a similar bicycle to the one I wrote about here; only this one is in ridable condition.

The main difference between the earlier Tourist and the later DL-1, is that the older bicycles are not quite as long - meaning that there is less distance between the saddle and handlebars. At the same time, they look "taller" than the DL-1, because the head tube extends quite a bit higher. Another difference, is that the older Tourists have a lugged connector between the downtube and the "loop" top tube which is absent from the later DL-1 model.

The handlebars on these older models are quite short and narrow - which makes sense, because of how closely the rider is seated to the bars.

The bicycle is in ridable condition and rolls surprisingly nicely (I've ridden it for a short distance).  The shifting needs to be worked on (the gears slip) and the rod brakes need to be adjusted, but it is a stable and buttery-smooth ride. Sadly, there is a piece missing from the rear of the chaincase; it is so difficult to find these chaincases intact. The shifter, saddle and grips are replacements and are not original to the 1938 model.

Being from the WWII period, this bicycle has some "blackout" components - including the headbadge.

The second bicycle in the pictures is one I'd never heard of before: It is a 1948 Raleigh Dawn Tourist. The Dawn Tourist was apparently the predecessor to the Sports. It was lighter and more agile than the original Tourist, and featured a straight step-through frame instead of a loop frame. The frame size of this bike is 21" with 26" wheels.

Unlike the later Sports, the Dawn had rod brakes, just like the Tourist did. However, its handlebars were wider and had considerably more "sweep".

The seat-cluster of the Dawn looks just like that of the later Sports (whereas the seat clusters of the original Tourist and the later DL-1 were bolted together).

The rear fender with original glass reflector are in very clean condition on this bicycle. These reflectors are highly thought after (both of the bicycles pictured have them).

The middle bit is missing from the original full chaincase, but otherwise it is intact.

"The all-steel bicycle" is written on the downtube. The pain on this bicycle is in very nice, even glossy, condition throughout.

It is rare to see even one of these bicycles "in the wild", let alone two - so I felt privileged to take these pictures before these beauties go to new homes. Hope you enjoyed the show and tell.

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Custom Rear Racks for Roadsters

As some have astutely observed in the previous post, my Raleigh DL-1 now has a rear rack! It is notoriously difficult to find racks that will properly fit these bicycles (without slanting), and the racks that originally came with DL-1s are almost impossible to get ahold of. This here is a prototype for a custom rack by Red Barn Classic Bicycle Accessories, designed and built by metalsmith Jon Gehman with some input from me, specifically to fit the vintage Raleigh DL-1.

The Roadster Rack was built based on the dimensions of the original racks that were typically used with the DL-1, but features some delightful add-ons.

The platform of the rack is fortified with a graceful arch - something the original lacks. There is also a handy light mount at the end for attaching a tail light.

Here is a detail shot. The Roadster Rack is made of 3/8" seamless aircraft chrom-moly tubing; brazed and silver soldered. It is enamel painted, and the matte finish is a good match for the aged paint on my bicycle.

The rack also features these nice loops for attaching bungee cords. Needless to say, these are extremely useful.

Though the functionality of the rack is impeccable, I have to say that - at least for me - the practical aspects are overshadowed by the looks. I am not sure how well my pictures portray this, but the lines of the rack are mesmerisingly graceful. The arch, the light mount, the bungee loops, and even the gentle curves of the platform itself - everything is perfectly proportioned and pleasing to the eye. It makes me feel like a criminal for having now attached a set of Wald folding baskets to my rack - but hey, I needed to carry my laptop bag!

If you are interested in commissioning one of these gorgeous racks from Jon Gehman, the price is $125. And keep an eye on his website for upcoming products, which will include French chainguards and other secret things. I am collaborating with Jon on some of the designs, so you will notice that his pictures are of the prototypes I have on my bikes. However, I am not involved in the sales of the products (nor do I receive any revenue from the sales) - so please contact Jon directly if you'd like to place an order or have questions about his other products. We would also be glad to know what you think of the design, so please feel free to post your honest feedback here.

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Coaster Roadster!

Behold my beloved Raleigh DL-1 Lady Tourist! Lovely as usual, is she not?

Ah, but some things about her are not at all "as usual". Can you tell that the lady has had major surgery? Probably not, and that's the beauty of it; her classic roadster features have been left intact.

But oh, what's this here? Why yes, it's a Sturmey-Archer S3C coaster brake hub! And with it, the bicycle has been magically transformed to an unmatched state of fabulousity.

For those unfamiliar with the saga: The Raleigh DL-1 is basically the holy grail of vintage "Roadsters," particularly the lady's loop frame. These bicycles are elegant, comfortable and surprisingly fast. There is only one tragic drawback: They were made with rod brakes, which is a braking system that is not the greatest even in dry weather, and completely ineffective in the rain. I got my DL-1 last summer and it has been my preferred bicycle ever since, despite the poor braking power. Still, I hoped that someday a conversion to a more effective braking system would make it perfect. Imagine my elation that this day has come!

If you are wondering how we did this, I will first say that it is definitely a "don't try this at home" project unless you are mechanically inclined, or have a spouse who is. But to summarise: You will need to get a 3-speed coaster brake hub and to have a new wheel built around it. You cannot put the coaster brake hub in the old wheel, because these hubs were designed for a different number of spokes. If you are planning to keep the original rod brakes (which you have to, unless you want to replace the handlebars), the new wheel needs to have a 28" rod-brake rim. These are distinct from regular rims, in that they have a special notch for the rod brake pads to grip. Yellow Jersey sells these rims, and they can also build you the wheel if you send them the coaster brake hub.

And that is what we did: I got the hub from an acquaintance who happened to have one (and who sent this monogrammed reaction arm clamp to go with it!), and had the wheel built by Yellow Jersey. Upon receiving the new wheel in the mail, we stayed up half the night attaching it to the bike. There are various little nuances that made it, shall we say, challenging - but it is doable. I will post a more detailed account on Boston Retro Wheelmen soon; for now I still have PTSD from the process. But let's be frank: A mild case of PTSD is a small sacrifice for the miracle of a secret coaster brake on a classic rod-brake roadster!

After the coaster-brake wheel installation, I spent the following day riding the bike everywhere; it was difficult to get me off of it! I tried hills, high-traffic routes, bridges - all kinds of situation where the brakes would be put to the test. I even got stuck in the pouring rain on my way home from downtown Boston - which was not intentional, but perfectly timed for testing the brakes in wet weather. If you've been reading this blog, you know I like coaster brakes, and this one performs fantastically. Upon back-pedaling, it comes to a soft (non-jolting) but reliable stop, making hand braking completely unnecessary, other than for preventing the bicycle from rolling when stopped at a traffic light. One funny thing about this hub, is that it is very-very loud: a steady ticking noise when pedaling, amplified tenfold when coasting. Well, at least they can hear me approach!

It did not take me long to get used to the DL-1 having a coaster brake and to adapt my braking patterns accordingly. With the rod brakes, I used to plan my stops in advance and I feared rain. Now I am free from worrying about such things and can fully enjoy this wonderful bicycle. There are other ways of installing effective brakes on the DL-1, like attaching the rods to a rollerbrake hub or replacing the whole rod system with standard brakes and conventional handlebars. But I chose the coaster brake, both because I like the system in itself, and because it allowed me to preserve everything about this bicycle exactly as it was - making it my very own Coaster Roadster.

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Expanding Comfort Zones

Over the past couple of weeks I've had things to do in downtown Boston and the Financial District, so I have been going there more than usual. As I cycle through this dense urban area, my company includes mainly bumper-to-bumper car traffic and bike messengers weaving through it. It was a hot afternoon and I was waiting in the left lane at a red light - a black SUV behind me and a gray pick-up truck on my right - when it suddenly occurred to me: I was quite comfortable. Any moment now, the light would turn green and I would make a left turn in a way that would not conflict with oncoming vehicles. The awareness of this was not one of nervous anticipation, but one of calm preparedness. Perhaps I am no longer quite the "beginner" I still tend to think of myself as being.

I say all of this not to brag (and I am sure many would mock the idea of cycling in downtown Boston as any sort of accomplishment), but to point out that the "baby steps" principle really does work if you are patient and allow yourself to expand your comfort zone at your own pace. Last summer, I wrote this post about overcoming my anxieties and cycling outside my immediate neighborhood. Now those anxieties seem in the distant past, as I cycle all over greater Boston and beyond.

Of course the city's ever-expanding bicycle infrastructure helps as well. Not so much because the bike lanes are spectacular (note the amount of debris on the left and how close the car gets on the right), but because the sheer act of painting all sorts of bicycle signifiers seems to make drivers more aware of cyclists' existence in general. Overall, conditions for cyclists are improving here.

If I wanted to cross the river to Boston last year, I would cycle along the Charles River Trail at a snail's pace. Now I just go right on the roads and cross the main city bridges. It takes 15-20 minutes to get where I need to be, and I no longer feel anxious to cycle in this manner. I make no secret of the fact that I am a neurotic wimp with a poor sense of balance. So, at the risk of perpetuating a cliché: "If I can do it, anybody can." Choose a bicycle you love, take it one neighborhood at a time, and expand your comfort zone.

Just be sure to make way for ducklings...

And don't tease the swans!

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An Emerald Necklace on a Lilac Sunday

"Lilac Sunday" at the Arnold Arboretum in Boston is an annual celebration of their extensive collection of lilac plants. The lilac is one of my favourite flowers. I find the soft colour beautiful, and the smell intoxicating.

I had never been to a flower festival before and did not know what to expect. The Arboretum's "lilac collection" is basically a small hill covered with dozens of lilac plants of every variety imaginable.

The lilacs' colours included everything from classic pale purple, to white, to ink-blue, to cherry-blossom pink.

The form of the flowers can vary quite a bit as well - from sparse, crisply outlined petals to fluffy, soft clusters.

Hundreds of people at a time wandered up and down the hill to pay homage to the lilacs - smelling them, photographing them, having picnics beneath them.

There were also musical and dance performances from several local folk groups.

The festival was so well-attended, that there were probably more people than lilacs - but we did find a spot on the grass nearby.

Did I mention I love lilacs? It was blissful to see so many in one place.

The Roadsters were happy as well, especially as they finally got to cycle along Boston's Emerald Necklace all the way to the Arboretum.

The Emerald Necklace is a series of green spaces throughout greater Boston, connected by routes that are meant to be walkable and cycle-able. It includes the Back Bay Fens, the Jamaica Pond, the Riverway, and other small parklands. The project was designed by Frederick Law Olmsted in the 1800's and is fascinating to read about, especially if you are interested in the history of urban planning and park design.

We had wanted to cycle along the entire Necklace for a while, but never had any cause to go in that direction of Boston until now.

As an urban green sanctuary, the Emerald Necklace is heavenly, with its lush vegetation and delicate bodies of water. As a cycling route... Well, it's frustrating. Throughout much of it, the trails are frequently interrupted by intersections and the crossings range from awkward to dangerous. Motor vehicles just do not yield - not even slowing down as bikes or pedestrians attempt to cross. Even on those intersections where there are lights, the same happens with cars turning: they do not even pause, let alone yield to pedestrians or bicycles.

An additional issue, is that unless you already know how to navigate the Necklace, it is difficult to find your way from one cluster of green to another; there are no signs or markings. We had a map from the Emerald Necklace Concervancy and still had trouble navigating.

On the way back finding our way got a bit easier and we even discovered some secluded dirt paths that the Roadsters liked better than the paved trails.

Still, I wonder: Is there any way to install better signals, so that the crossings feel less like suicide missions? And some signage for easier navigation? That would make this wonderful green resource infinitely more useful for the people who were meant to enjoy it.

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