From Holsters to Corsets: The Cycling Accessory Fetish

Entering the Brooks booth at Interbike was an experience that I can only describe as "trippy." Not only did I feel as if I'd stepped into a Skittles commercial - or at least a Brooks + Skittles "collabo" (Ride the Rainbow...), but I was seeing objects that, at first glance, distinctly resembled gun holsters - in a variety of lollypop shades.

Upon a closer look it became apparent that these were in fact tiny handbags shaped like Brooks saddles. The representative cheerfully explained that Brooks had the idea to make leather saddle covers to class up bikes that came with plastic saddles. But the project did not work, so they turned the would-be saddle covers into handbags - and thus we have the Victoria bag. 

I am not sure what I have a harder time imagining - someone buying a leather cover for their plastic saddle, or someone carrying a neon leather saddle-shaped purse. And while at first I thought the gun holster comparison was just in my head, I soon heard others voice the same sentiment as they walked by the display. What do you think, would this match your work outfit?

And lest you be wearing trousers on a bike with no chaincase, a leather strap in a matching shade could be just the thing.

As long as it all matched your handlebar tape. And your apple-green saddle.

Of course if you're not a fan of colourful accessories, Brooks offers the subdued "paratrooper" look in tasteful shades of gray and beige.

Okay, I really don't mean to tease Brooks so much. They had "normal" stuff too, like their regular line of saddles, a promising rain cape and their new city leather grips (which I would buy if they didn't have those cold metal sections at the ends). But something just felt a little off about their booth - as if they were on the verge of losing perspective.

Taking the classic route to fetish-appeal, Klean Kanteen draped itself in caramel leather, for a look suggesting vintage flasks. I like it. But the one problem I see with this, is that the outside of these bottles tends to always get wet and the leather is bound to get discoloured and misshapen as a result over time - something that does not happen with shellacked twine, because the shellac waterproofs it.

This particular Klean Kanteen had a wooden inlay on the lid with a Brompton logo on it, and may have been a limited edition model made especially for Brompton bicycles.

Sculptural bicycle pumps from Lezyne in stainless steel and wood. People couldn't stop touching them, running their hands against the surface.

A bicycle pump that makes you want to use it by appealing to your sense of touch? Okay, I admit I want these. You got to me, Lezyne.

Po Campo's new "self-referetial" print is really too lighthearted to be truly fetishistic, but deserves a mention. Obsessed with bicycles? What a better way to show it than to get a bicycle bag with pictures of, well, bicycles on it. Should leave no doubt as to your love of cycling.

Alternatively, you could opt for the new Logan Tote - a pannier shaped like a dainty doctor's bag and designed to carry anything from diapers and formula bottles to camera equipment and the i-Pad. The myriad of belts and buckles that come with Po-Campo bags contribute to the visual curiosity factor, particularly when a tiny bag ends up capable of securing things like heavy jackets and yoga mats.

The Brompton "Oratory" cycling jacket has gotten both praise and slack in the press for being useful/ unnecessary (pick one), sparking debate as to whether urban cycling-specific designs overcomplicate matters and undermine the whole idea of being able to ride in regular clothing.

Not sure where I stand on that issue, but regardless - the Brompton jacket has a number of fine details that appealing regardless of whether one even needs a jacket at all.

The jacket is corduroy, with a wicking bamboo lining depicting a drawing of the Brompton Oratory by English graffiti artist, Kid Acne (Get it? Graffiti for an urban jacket? Graffiti of a building instead of on a building? Oh the cleverness of it!..).

But no tale of accessory fetishism is complete without a visit with Berthoud. I have an odd relationship with Berthoud bags, in that I tend to lose my mind when I see them - especially several in the same place at the same time. The shades of gray fabric and caramel leather are just right, the straps are perfectly proportioned... But when it comes down to it, I cannot bring myself to actually buy one of the bags. It's not just the price, but something about the look would make me self-conscious to have it on my own bike.

A case of being too perfect? Maybe!

And then there are the panniers. These are available in many sizes and use the R&K Klick-fix system, which I love. But I can't get over the "corset" look of the side expansions - which, although obviously purpose-driven, to me seem to be the ultimate symbol of our tendency to fetishise bicycle accessories. It's not a bad thing per se, if it makes us happy and makes us ride our bikes more. But we each have different comfort levels. I'll go for leather, wood and twine, but will stop short of holsters and corsetry.

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Yeah Baby! Transportational Elegance Reigns at Interbike 2011

As I was setting off for Las Vegas, those who'd been to Interbike before warned me that 90% of what I'd see there would be completely irrelevant: that the road, mountain bike and BMX industries would rule the floor, with city bikes and classic bicycles making up a tiny fraction of the offerings. So what surprised me the most about my first Interbike, was that this was far from the case. The upright, step-through city bike was downright ubiquitous: From exclusive European makers such as Cicli Montante (above) to mainstream giants such as Trek (see my post about their "Dutch bike" here), it seemed that anyone who is anyone had one on offer.

I start with the Italian Cicli Montante, because it's companies like theirs that really set the pace. Montante city bicycles are unapologetically opulent, bombastically over the top - and I think it's good for the industry to have a manufacturer who is willing to exhibit such showmanship and attention to detail.

Old school touches such as newspaper racks, satchel-style panniers and leather-shod rod brake levers are victoriously exhibited with little concern for weight reduction.

Every component is pantographed with the company name; everything is covered in leather and dripping with colour. It's too much for me, but I am glad companies like Montante exist and I hope they find a North American distributor.

But if you are looking for a more accessible burst of colour, you will be pleased to hear that Bobbin Bicycles are coming to the North American market. Distributed by Fourth Floor in Canada, they should soon be available at bike shops.

Bobbin are offering a full line of classic city bicycles and accessories in a multitude of colours and for what look like fantastic prices (sub-$1,000 on all the models, as far as I could tell).

Here is their Birdie model in sky blue and yellow.

And here is a more sombre model in black, with full chaincase and dressguards.

Bobbin also introduced a number of pannier prototypes, including this leather satchel. I think the satchel is stunning, but I am wary of the snap-closure attachment system.

Here is a handsome canvas and leather one as well. I've spoken with the Bobbin representatives and may get to test ride one of their bicycles - fingers crossed.

It is also official now that standard production Bella Ciao bicycles (i.e. not just the Superba) will be available for sale in North America - distributed by BoxCycles/ the Nordic Bike Project.

Here is the men's model suspended from the ceiling. I can also tentatively announce that there may be a new line of Superba bicycles (ladies' and men's!) in 2012 and I hope to have details on that shortly.

Pilen had their classic Lyx models on display,

as well as a beautiful raw finish prototype with a SRAM automatic 2-speed hub. I have mentioned before that I think Pilen frames are unusually well finished for their price category, and the unpainted model really shows this off. I am picturing a swan-frame version with cream tires and feeling a little light-headed.

Pashley did not disappoint with their multiple booth display that was like a cozy clubhouse. I found myself falling in love with them all over again, returning repeatedly to take more photos and speak with the reps.

What appeals to me about Pashley is not only the beauty of their products, but their genuine commitment to making their bicycles on a small scale, in England, by the same people who've worked for them for years - despite external pressure to produce more volume. Though I ended up selling my Princess a year ago (see my review here), I wish that Pashley would do some research on how to tweak its geometry or tubing so as to make it a bit faster and more responsive - perhaps a loop frame version of the Guv'nor (come on, wouldn't a Reynolds 531 loop frame be awesome)? I truly want to support them as a business and to ride one of their bikes, as the Co-Habitant still happily does (see his review here).

In addition to having their range of loop-frame models on display, Pashley introduced the Parabike. My understanding is that this model is similar (or identical to?) the Tube Rider, but with a vintage military colour scheme of dusty slate blues and sage greens. I had not known the history of this frame style before, and it was explained to me that the bicycles used to be disassembleable, and British paratroopers would jump out of airplanes with the bikes strapped to them - then assemble them on the ground and ride away. Clearly Pashley needs to make at least a promotional prototype of a version that actually disassembles and film someone jumping out of a parachute and using it in this manner!

On board with the elegant transportation trend, Velo Orange had more than half of their display models set up with upright handlebars, which I thought was interesting. Does this reflect the preference of their customers?

The new green Polyvalent looked stunning and very inviting with its chaincase, Porteur handlebars and sizable front rack.

Happy to see the Sturmey-Archer 3-speed trigger shifter - not only on this bicycle, but on many others at Interbike.

Finally, the new colour they chose is a very pleasant shade of green, with a touch of soft gray mixed into it. Lovely all around. I am hoping VO will re-release their mixte in 2012 with a similar set-up and a softer colour scheme than their previous model.

One thing VO did I thought was interesting, was put small handlebar bags on upright bikes. I sometimes get emails asking whether I think this would look good and my instinct is usually "no," but this set-up is quite nice. I think the harmonious paring is largely due to the shape of the handlebars here, so that's one factor to consider. Another view of this set-up here.

The trend for colour was prominent among all city bicycles on display, and this pair of Gazelles illustrates nicely the two categories the colours seemed to fall into: vibrant "candy" shade, such as yellows and pinks, and subdued "vintage" shades, such as slate blues, creams, and sage greens.

Though I've focused on what I found to be the more interesting and trend-setting offerings, I cannot stress enough how popular the city bike was. There were so many, and from such a large number of manufacturers, that featuring them all would have been akin to posting a laundry list.

They came in all shapes and sizes, with the common design themes being a step-through frame and upright handlebars. Here is one from Benotto - an entire range actually.

The new city bike from Terry - the women-specific roadbike manufacturer.

And here is what looks like an Electra-imitation from Shanghai Forever.

A Pedersen-esque contraption from Virtue Bikes.

A couple of readers asked me to stop by the Linus booth and determine to what extent their mixte is lugged, so here are my findings. The front end is completely lugged (including the split lug for the mixte stays!), but is paired with a unicrown fork. And the seatcluster is welded.

Somewhat to my surprise, e-bikes were a huge trend at Interbike - I mean huge. I did not photograph many only because they do not interest me, but there must have been over a dozen manufacturers selling some version of an electric assist bicycle. This one is a Zoomi Monterey.

And here is an Achiever PedElec tricycle with enormous wicker baskets that make it resemble a laundy-getter. I spoke with a couple of the e-bike representatives, and each mentioned their belief that e-bikes need to look more classic and not so "techy" in order for the demographic they are trying to reach (read: women) to find them appealing. I agree.

Though this post is ridiculously long as it is, I can hardly neglect to mention folders. As with e-bikes, there was a huge folder epidemic - including electric folders. However, I am sorry to say that most of them were not easy on the eyes or simple to operate at all, and I will leave it to other blogs to post photos of them. Of course, the ever-practical and attractive Brompton was there, the rep tirelessly folding and unfolding it for awed spectators.

And Moulton wowed everyone with the limited edition stainless steel F-frame bicycle. As I understand it, this was actually made as a gift for a long-time Moulton employee upon his retirement, which is pretty amazing.

There were also miniature non-folding bicycles, such as the Bobbin Shopper - reminiscent of the Raleigh Twenty, outfitted with a rack and basket, and reasonably priced. The more folders and miniature bikes I try, the more convinced I am that they are a great solution for those who make relatively short trips and share bikes in the family, as well as for still-growing children and teenagers. Problem is, that not every manufacturer makes these bicycles equipped (or even compatible with) racks, which essentially kills their versatility. I am glad to see more models that do take this factor into consideration.

One aspect of the transportational bicycle trend that I noted was lacking at Interbike, were "box style" cargo cycles. There was the Christiania and I think the Gazelle Cabby, but I am pretty sure that was it. The Yuba, the Surly Big Dummy, and other long-tails were on display, but not the large, Dutch and Scandinavian bakfietsen and long-johns. It may be simply a matter of the design being difficult to replicate and "Americanise" by manufacturers, or perhaps it's just too much of a specialty item for Interbike at this stage.

So where does all of this leave us? The variety of designs and price points in the "city bicycle" genre, as well as the sheer number of models, are an encouraging sign, to say the least.  But do you think this is a sign that we - and by "we" I mean those who have been stressing the need for user-friendly city bicycles that can be ridden while wearing regular clothing - have arrived? Is the industry showing its commitment to catering to transportation cycling, or merely testing the waters? Your thoughts appreciated.

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